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Spring 2024

Fine Arts

Spokane fountain
Winter 2014

Art in public places

In the late sixties, Harold Balazs ’51 helped build a public arts tradition in our region. Along with several members of the Washington Arts Commission, including artist Jacob Lawrence, he created Washington’s Art in Public Places program. Starting in 1974, the program began directing one-half of one percent of all state building budgets toward purchasing contemporary art. The pieces would be owned by the state but could reside at the site of the project.

Having traveled in Spain and Italy, Balazs had realized that the United States could easily support more arts and culture. “Countries in Europe do so much more than one percent,” he … » More …

First Words
Winter 2014

Seeing and knowing

“The relation between what we see and what we know is never settled,” writes art critic and author John Berger in his 1970s Ways of Seeing.

Berger, a mainstay for students of art and Western culture, examines how a large part of what we see when we look at something depends on our habits and conventions, the things we think we know.

As men and women, Berger notes, we may see things differently. Our teachers, our books, even our communities tell us what we’re looking at and what it means. Children see things differently, again. Lacking preconceptions, they may recognize qualities in a work of … » More …

Fall 2014

Where the heart is

Ten years ago, artist Jim Dine left his heart in Pullman. The 12-foot-tall painted bronze sculpture called The Technicolor Heart—a blue beacon covered with ordinary items like hammers, shoes, clamps, and flashlights—has stirred conversation and controversy.

Now the world-famous sculptor and printmaker is giving Washington State University a whole collection of more than 200 prints representing his work from 1967 to 2011. Valued at over $1.8 million, this print donation will be the largest university museum collection of Dine prints in the world and one of the largest collections of his prints ever assembled.

Cincinnati native Dine grew up around his grandfather’s hardware store and … » More …

First Words
Fall 2014

First Words for Fall 2014

As we started assembling this issue, we sought to provide a sweeping view of campus and its environs from architecture to the archives. And then, as it usually happens, a few themes surfaced: anniversaries, hearts and health, and, well, garbage. We discovered subtle ties between the stories, ties that may not be so obvious to the reader, but as we have written, edited, and designed this issue, have lingered in our minds.

First, along with campus maps and Cougar cards, Washington State’s freshmen this month are sharing a book, Garbology: Our Dirty Love Affair with Trash—a selection from the now eight-year-old and widely successful … » More …

Races of Mankind
Fall 2014

Races of Mankind: The Sculptures of Malvina Hoffman

Races of Mankind

Marianne Kinkel

University of Illinois Press, 2011

 

In the struggle to find out what makes people unique, artists of the twentieth century entered the field of physical anthropology. In 1930, Chicago’s Field Museum of Natural History commissioned sculptor Malvina Hoffman to research and create sculptures of all races of mankind, of which there were believed to be more than 160.

Marianne Kinkel, an associate professor of fine arts at Washington State University, … » More …

Cori Dantini at work
Summer 2014

Cori Dantini ’93—Art and whimsy

Boxes filled with vintage paper, new paper, old books, fabrics, and other precious odds and ends neatly fill Cori Dantini’s home art studio. Over the years she has collected thousands of items, knowing someday they would come in handy. “If you don’t have it, you can’t use it,” she says with a smile.

That “use it” moment came in 2008. Over a long weekend with her husband Liam and son Henry away and an art show on the horizon, Dantini began to layer vintage papers and words. She sketched a pencil drawing over the paper and added ink and color. A month later, her first … » More …

Aesthetics of Strangeness cover
Summer 2014

The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan

Aesthetics of Strangeness cover

W. Puck Brecher

University of Hawai‘i Press, 2013

 

Eccentricity and odd artistic behavior in the Edo period of Japan (1600–1868) proliferated as an aesthetic subculture that both resisted the rigidity of the Tokugawa realm and served as a source of moral and cultural values.

This study by Brecher, an assistant professor of Japanese language at Washington State University, delves into the complex role of oddballs and eccentrics as sources of artistic … » More …

Museum drawing
Spring 2014

A wider canvas

A new museum of art on the Washington State University campus in Pullman could be a multi-story glass-walled building in which students, alumni, and community members can venture in to an open and intriguing series of galleries.

The new building, now in the conceptual phase, will have more than twice the space of the current 5,000-square-foot museum and include four distinct galleries. It will rise out of the hillside across from the Compton Union Building on the site of the former fire station and current police station.

“It gives an opportunity to complete Terrell Mall in a way that reinforces the public quality of it,” … » More …

Winter 2013

History develops, art stands still

An art historian journeys into the Renaissance

 

Maria Deprano meets me in Florence just outside of Santa Maria Novella, a church consecrated in the early Renaissance. While the green and white marble façade is spectacular, we’re here to look into the mysteries of the basilica’s interior frescoes.

A 2013 fellow with Harvard University’s Villa I Tatti, DePrano has traded her post in Pullman for a year in Italy to research and write a book featuring a family of fifteenth-century Florence who appear in one particular set of the church’s frescoes. The Tornabuoni were art patrons who commissioned and were featured in artworks from some … » More …