“After you set the table with your best efforts, let your real pleasure come from looking around the table before breaking bread together and appreciating the similarities in your guests rather than the differences.”
—Maya Angelou, 2011
Breaking bread, banquets, or potlucks—however and wherever we enjoy the delightful experience of sharing a meal, we can tell our stories, cross cultural boundaries, and begin to learn each other’s histories.
The holidays especially give us the opportunity to gather for food and talk, so important when it feels like we live in a time rife with incivility and torn by divisiveness.
The ornate Washington State University mace, a convocation and commencement fixture, is perhaps the most widely recognizable of artist Tim Doebler’s creations.
But his artwork is interwoven throughout the University. Commemorative and recognition placards in building lobbies. A stone monument on Terrell Mall. Finely crafted tokens of appreciation awarded to University leaders and supporters.
“I see this as part of the fabric of the University,” says Doebler ’84 MFA, who is retiring in November after 38 years as an engineering technician with WSU’s fine arts department.
A Vietnam veteran and survivor of the bloody Easter offensive, Doebler returned to the States in 1972 and … » More …
A small, brownish dry spot is visible on the ninth fairway at Palouse Ridge Golf Club.
Superintendent Mike Bednar is unbothered, which might seem a bit surprising given the course’s enviable reputation among national golfing groups.
“This is designed to play hard and fast,” says Bednar ’92, ’04, explaining Palouse Ridge needs to be a bit on the dry side to deliver the kind of gameplay challenge that’s kept it atop national rankings ever since its 2008 opening. “We’ve got an irrigation system that lets us water only when and where it’s necessary.”
“There he is!” I look up as tattered orange wings flutter above the sunflowers. A lone male monarch butterfly hovers near the milkweed patch, gallantly hoping, says wildlife ecologist Rod Sayler, for the arrival of a female.
The scene took place early last August at the Washington State University Arboretum and Wildlife Center, where for the first time in 25 years, Sayler documented the iconic butterflies living and breeding on campus. Weeks earlier, to his astonishment, he’d found a handful of monarch caterpillars devouring the leaves of recently restored showy milkweed plants.
“The monarchs were a big surprise for me,” he says. “It’s the first … » More …
Former WSU President Elson S. Floyd pulled together a group of campus leaders in late 2014 to sketch out a vision of a new kind of building on campus: a place for cultural education and events. Although Floyd died in 2015, the Elson S. Floyd Cultural Center, under construction on the corner of Stadium and Main, will be a signature welcome to WSU with a “rolling hills” roof and open design.
Maria de Jesus Dixon, manager of operations for the Cultural Center, believes the center is unique among the nation’s universities and colleges. WSU’s multicultural student population has grown … » More …
In November under the lights of their newly renovated field, the WSU women’s soccer team competed in their fourth straight NCAA tournament, a first for the Cougars. They played tough against Seattle University in the polar chill, losing by one goal in double overtime.
The debuts of both the rebuilt Lower Soccer Field and head coach Steve Nugent came back in August with a 3-0 win versus Texas Christian University. Nugent and the team went 10–4–4 for the season, led by a group of seniors that boasts 48 victories, the most in school history during a four-year span.
Among them was goalkeeper Gurveen Clair, who … » More …
In the late sixties, Harold Balazs ’51 helped build a public arts tradition in our region. Along with several members of the Washington Arts Commission, including artist Jacob Lawrence, he created Washington’s Art in Public Places program. Starting in 1974, the program began directing one-half of one percent of all state building budgets toward purchasing contemporary art. The pieces would be owned by the state but could reside at the site of the project.
Having traveled in Spain and Italy, Balazs had realized that the United States could easily support more arts and culture. “Countries in Europe do so much more than one percent,” he … » More …