Search Results

Fall 2008

The Little Book of Dinosaurs

I can remember, as a boy of 10 or 12 in Massachusetts in the early ’50s, prowling the stacks at the Cambridge Public Library⁠—a ponderous but beautiful Romanesque stone building set in a park between Cambridge High and Latin School and Rindge Tech—looking for books on paleontology. I didn’t know the word “paleontology” then, and even if I did, I wouldn’t have cared what it meant. What I wanted to know about was dinosaurs. All I could find were text-heavy tomes, not especially designed for people my age, sparsely peppered with meager little line drawings, plus, if I was lucky, a full-page black-and-white plate or … » More …

Spring 2005

Company Towns of the Pacific Northwest

In Company Towns of the Pacific Northwest, Linda Carlson provides much insight into the rewards and trials of life in the small, isolated communities of a bygone Northwest.

A company town was generally a glorified camp established in the late 1800s by a logging or mining company. The company provided housing for its workers, and often mandated the school curriculum, owned the general store, and decided whether or not alcohol and gambling were allowed. A few paid their employees in scrip, the company’s own currency. There was no local government, as the company boss dictated just about anything he wanted. Nevertheless, Carlson ’73 defines these … » More …

Fall 2005

Common Courage: Bill Wassmuth, Human Rights, and Small-Town Activism

“While those who act out violently—hate groups or lone wolves—may be few, the sentiments that lead them to believe their actions are acceptable stem from every-day bigotry and an unwillingness to confront it.” So writes Andrea Vogt to reflect the views of the late human rights activist Bill Wassmuth (1941⁠–⁠2002), as well as, one suspects, to warn the rest of us who are now left without his courageous leadership in the Northwest.

In Common Courage: Bill Wassmuth, Human Rights, and Small-Town Activism, Vogt chronicles Wassmuth’s life in the context of a discussion of the respective roles of education, religion, and community in eradicating the every-day … » More …

Summer 2008

Color + Modulation

Rob Tyler ’96
2006

Rob Tyler’s animated films combine hand-painted film cells, computer manipulation and atmospheric electronic music to produce a hypnotic come-hither based on changing, pulsing colors that riff off a primary abstract shape to the music of Unrecognizable Now, Moksha Kusa, Carpet Music, In Support of Living, and Solar Marquardt. Although there is no indication that these films are meant for anything more than a DVD-scale viewing, Tyler’s films may recall (for those who can recall) psychedelic light shows of the 1960s, and would certainly work wonders as rave backgrounds. Their luminosity evokes … » More …

Summer 2008

Bunion Derby: The 1928 Footrace Across America

Charles B. Kastner ’81
University of New Mexico Press, 2007

For generations, the 1920s have provided fodder for authors. The super-hyped sensationalism of those ballyhooed years seems a bottomless pool of entertaining topics. The decade of Lindbergh, Valentino, Capone, and Ruth, of flappers, Mah Jong, crossword puzzles, and marathon dances, also produced the Bunion Derby, a marathon footrace across America. It is to his credit that Seattle author Charles Kastner (’81 M.A. History) not only uncovered this nearly forgotten story, but also that he treats it with respect, for it would have been easy to … » More …

Fall 2007

The Wakefields: Falling Down Blue

Country music always seems to be filled with nostalgia—looking back on the days of old with a southern drawl, an acoustic guitar, and a broken heart. Yet every so often artists like The Wakefields come along to alter these perspectives. Falling Down Blue is an album that grafts pop-like traits on a country-music base. While The Wakefields consistently encompass the alt-country genre, each song blurs the boundaries between this more modern form of country and old-timey folk-pop.

There’s even a strong oldies rock influence apparent in the earliest moments of Falling Down Blue. Remnants of Elvis Presley and Buddy Holly can be heard, along with … » More …

Winter 2005

Head Full of Traffic

In Head Full of Traffic, ostensibly labeled a collection of horror pieces, Ames skillfully adds his own flair to the genre. In “Carnival,” a crazed carnie imagines an apocalyptic Midway. “Weeb staggers away from the Fun House, swivels that cornpone head when he hears … » More …

Winter 2005

Eighty-Sixed: A Compendium of the Hapless

If his two latest short story collections are indicative, Brian Ames ’85 is a prolific writer of unsettling talent. Releasing both Head Full of Traffic and Eighty-Sixed: A Compendium of the Hapless in 2004, Ames packs 22-plus pieces into each collection. Granted, many of the works run only a few pages long, but these are stories brief only in word length. Rich language and dense atmospheres are Ames’s literary tools, and he manages to convey entire tableaus in single sentences. “He doesn’t fully comprehend meter or rhythm, only understands the voltage through his cortex, manifested in sudden spastic knee bouncing, rapid articulation, back and forth, … » More …

Summer 2007

Domesticating the West: The Re-creation of the Nineteenth-Century Amer

In Domesticating the West, Brenda K. Jackson ’02, a Washington State University history Ph.D., explores the settlement of the West by the 19th-century middle class. Specifically, Jackson presents a dual biography of Thomas and Elizabeth Tannatt, middle-class migrants from Massachusetts to Washington Territory in the late 1800s. Jackson begins her book by examining the middle-class backgrounds of the Tannatts and their experiences prior to and during the Civil War. Jackson effectively demonstrates that both Thomas and Elizabeth grew up solidly middle class, in terms of relative wealth, status, and privilege, though Thomas’s situation was a bit more precarious. As a result, Jackson argues, “throughout his … » More …

Summer 2006

Classic Houses of Seattle

When something is regarded as “a classic,” it is usually because the object has achieved the ability to express the cultural spirit of an era. Objects having this status are often considered as art, or at least as cultural symbols. And so we have classic cars, classical novels, classical music, and so on. We also have Classic Coke, so called because, after public outrage at trying to change the recipe of its brew, the soft drink company quickly went back to the original version—now dubbing it “Classic”—realizing that it was messing around with an established cultural icon. Caroline Swope’s Classic Houses of Seattle makes … » More …