Alex Kuo’s writing confronts censorship both explicit and hidden
In a pivotal moment from Alex Kuo’s new novel shanghai.shanghai.shanghai, several Chinese card players watch a team of Americans publicly disavow George W. Bush’s administration in front of an international audience. Struck by the brazen criticism, a pickpocket known as Bogota Man questions how such anti-government opinions could ever be voiced openly.
He contends that political dissent in China can mean life in solitary confinement. A friend quickly responds that in America the defiant act of protest is more likely to be completely ignored.
“I’m not sure which is worse,” she says.