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Artists

Cori Dantini at work
Summer 2014

Cori Dantini ’93—Art and whimsy

Boxes filled with vintage paper, new paper, old books, fabrics, and other precious odds and ends neatly fill Cori Dantini’s home art studio. Over the years she has collected thousands of items, knowing someday they would come in handy. “If you don’t have it, you can’t use it,” she says with a smile.

That “use it” moment came in 2008. Over a long weekend with her husband Liam and son Henry away and an art show on the horizon, Dantini began to layer vintage papers and words. She sketched a pencil drawing over the paper and added ink and color. A month later, her first … » More …

Aesthetics of Strangeness cover
Summer 2014

The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan

Aesthetics of Strangeness cover

W. Puck Brecher

University of Hawai‘i Press, 2013

 

Eccentricity and odd artistic behavior in the Edo period of Japan (1600–1868) proliferated as an aesthetic subculture that both resisted the rigidity of the Tokugawa realm and served as a source of moral and cultural values.

This study by Brecher, an assistant professor of Japanese language at Washington State University, delves into the complex role of oddballs and eccentrics as sources of artistic … » More …

Patrick Siler next to mural in Pullman
Fall 2012

Patrick Siler ’61—On the wall

Patrick Siler points to a crack in the wall he’s about to paint. He points to another, and another. He has to fill those. And there’s that slanted place in the concrete he has to deal with. He can’t push his lift onto the sloped surface. Maybe he’ll build a wooden platform to roll the lift onto. And the tree in front of the wall, well, he’ll figure that out when he gets to it.

“I still have quite a bit of preparatory work on this wall,” Siler says, sitting in the Thomas Hammer café where the mural is located. “I’ve done a lot of … » More …

Cover of Dog Days Raven Nights
Summer 2012

Dog Days, Raven Nights

dog days raven nights

John and Colleen Marzluff, illustrated by Evon Zerbetz ’82
Yale University Press, 2011

Using field notes, personal diaries, and beautiful linocuts by Evon Zerbetz ’82, the Marzluffs chronicle their three-year endeavor to research the common raven, while raising and training sled dogs to help them with their work in Maine. Zerbetz is an artist in Ketchikan, Alaska, and illustrator of six books for children and young adults.

 

Illustration by Evon Zerbetz from Dog Days, Raven Nights

Illustration by Evon Zerbetz from Dog Days, Raven Nights» More …

Fall 2011

Gallery: Images of Antarctica

While rock hunting across Antarctica last winter, WSU geochemist Jeff Vervoort was captivated by how the landscape revealed dramatic stories of merging glaciers, tortured ice, wind-sculpted snow, and glacial debris. But where he saw a language of science, Kathleen Ryan, an assistant professor of Interior Design, saw a language of aesthetic elements and principles, of curved lines, shapes, rhythm, and movement. The result was their interdisciplinary, husband-wife exhibit in spring’s Academic Showcase: Visual Language of Ice and Rock on the Frozen Continent.

Vervoort’s Antarctica research was funded by the National Science Foundation and featured in The New York Times‘ “» More …

Summer 2011

Letters in the Summer 2011 issue

 

Moral capital

Kudos to Jennifer Sherman for her good article summarizing her research and book about real-life experiences in Golden Valley. It describes the price of economic disaster in a rural atmosphere in a revealing and provocative way.

Moreover, we were struck by the completely unnecessary cause of this disaster in the first place. It seems that the collapse of the timber industry in the Pacific Northwest was “due in large part” to placing the protection of the spotted owl over the welfare and economic well being of the entire human population of not only Golden Valley, but also other communities in the logging … » More …

Bob Brumblay (left) and Dave Fitzsimmons holding works by Griffin
Spring 2011

An art history

Worth D. Griffin stepped off the train in Pullman in the fall of 1924 to find Washington State College’s art department barely four years old and with just one other full-time faculty member. Prior to that, the only art instruction offered was painting lessons for students with the pocket money.

But Griffin had come to help teach design and creative composition and build a program. The Indiana native had studied commercial and fine art in Indianapolis and at the Art Institute in Chicago. In addition to working as a magazine illustrator, he trained among American realists, artists focused on rendering unidealized scenes of daily life. … » More …